4 Hero - ...Mixing




Tracklisting :

01. Bootsy Collins - Fat Cat 6:40
02. INT - Beat 8 01:01
03. Dabrye - Game Over 03:33
04. J-Dilla - Over The Breaks 01:44
05. Raymond Scott - Lightworks 01:47
06. Two Sisters - High Noon 03:05
07. Face - Act Like All Is Right 02:42
08. Scientist - Blood On His Lips 02:49
09. The Skatalites - Roots Dub 05:56
10. Patrice Rushen - Message In The Music 02:52
11. Georgia Ann Muldrow - Blackman 01:14
12. Roy Hargrove - On The One (Sa-Ra Remix) 03:08
13. Aladdin - The Silent Whisper 00:43
14. Little Brother - Nighttime Maneuvers 02:16
15. Waajeed - Make Doe 02:55

Links :
4hero.co.uk
myspace.com/4hero
sonarkollektiv.com
myspace.com/sonarkollektiv

Press Release :
With the outstanding success of the two first "…mixing" compilations from Jazzanova and Âme, it would be a hard task finding the next artist that could bring something special for the third in the series, and keep raising the bar - enter Dennis McFarlane (aka Dego) of 4hero.

With his partner Mark Clair (aka Marc Mac), 4hero have changed the face of music and made a huge contribution to dance culture. They were regarded as pioneers of jungle and drum'n’bass after their first album "In Rough Territory", and haven’t stopped innovating since. In more than 20 years they have released 6 albums and set up 5 different labels: Reinforced, Raw Canvas, 2000 Black, Omniverse and Twisted Funk. Their album "Parallel Universe" was named NME Album of the Year, and "2 Pages" (released on Gilles Peterson’s Talkin’ Loud label) was nominated for a Mercury Prize Award, and won them a MOBO Award in 2001. They recently released "Play With The Changes" on their own Raw Canvas label, which received a critical acclaim in UK.

On "…mixing", 4hero investigate their musical influences; past, present and future. Things start off on a funky note with Bootsy Collins (who played earlier on in his career in James Brown’s band) and the infectious P-funk of "Fat Cat". Detroit hip hop is covered with the incredible "Game Over" and the inimitable J Dilla’s "Over The Breaks", taken from his legendary posthumous album The Shining. Then it’s back in time with the electronic music of composer and inventor Raymond Scott, regarded by many as a major influence for musicians such as Robert Moog, Aphex Twin and Boards of Canada. This childish atmosphere is broken with the disco-funk of "High Noon" by Two Sisters from the Carrere imprint of 1983, made of analogue drum beats and keyboard sounds. This is followed nicely with the soulful voice of Face and the break beats of "Act Like All Is Right".

The second part of the mix begins with the exceptional roots-reggae sounds of Jamaican dub mixer Scientist aka Hopeton Brown. "Blood on his Lips" is a slow instrumental tune with a fat drum beat giving the pace, choppy guitar riffs and some nice guiro sounds in a pure roots-reggae style. For "Roots Dub", The Skatelites make great use of their studio effects, with echoes on trumpet, flute and guitar riffs, creating a special sound that had influenced every reggae, dub and broken beat artist since. Once again, Dego switches styles with the wonderful voices of disco legend Patrice Rushen with "Message In The Music" and Georgia Anne Muldrow with "Blackman".

Sa-Ra’s remix of Roy Hargrove’s "On The One" is modern soul at its finest, before the compilation ends with the calm and dubby hip hop of "Nighttime Maneuvers" by Little Brother, and "Make Doe" by Detroit producer Waajeed, a brand-new anthem from Fat City records.

From new to old Dego teaches us that Black music is constantly innovating but never forgetful of its roots. If you want proof that Black music is always evolving, look no further than 4hero "…mixing".

1 comment:

Joshua said...

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What is Acid Jazz?

Acid jazz (also known as club jazz) is a musical genre that combines elements of soul music, funk, disco, particularly looping beats and modal harmony. It developed over the 1980s and 1990s and could be seen as tacking the sound of jazz-funk onto electronic dance/pop music.

The compositions of groups such as The Brand New Heavies and Incognito often feature chord structures usually associated with Jazz music. The Heavies in particular were known in their early years for beginning their songs as catchy pop and rapidly steering them into jazz territory before "resolving" the composition and thus not losing any pop listeners but successfully "exposing" them to jazz elements in "baby steps".

The acid jazz "movement" is also seen as a "revival" of jazz-funk or jazz fusion or soul jazz by leading DJs such as Norman Jay or Gilles Peterson or Patrick Forge, also known as "rare groove crate diggers".